Original Music
This is a freestyle electronic rendition, blending the famous Prelude C-maj by J.S.Bach (“Ave Maria”) with its not less famous interpretation by F.Schubert. The lively flow of this piece is happy and Christmasy. Synthesizers // Length: 1:46, 4/4, 80 bpm
Blue tag = for a demonstration only; not for sale. This is the final movement of the suite for oboe and orchestra. This piece was conceived as a scene from a festival, masquerade. The crowd feels exited, dancing and intermingling. Suddenly, Pierrot occurred, but even his plaintive theme ends in lightful major with a hope for love, and the mass happily rushes to party again.
Acoustic oboe (Eugene Sidorov), symphony orchestra // Length 4:22, 94 bpm, 6/8
Calm and happy mood of this piece along with its lively character and seemingly “unsquare” time signature makes it usable for many video ideas. – Cedar flute, guitar, rainstick // Length 1:25, 149 bpm, 4/4+2/4 (alternatively: 3/2 and 76 bpm)
Blue tag = for a demonstration only; not for sale. This piece was conceived as a movement of a suite for oboe and orchestra (III, Scherzo). Its dancy character and theatrical imagery gives a positive association with a scene from a ballet. Lush orchestration helps create a powerful and festive climax.
The excerpt between 1:01 and 1:14 strongly associates with a festive event like a victory or a massive celebration, and could, probably, be used separately.
Acoustic oboe (Eugene Sidorov), symphony orchestra, carillon // Length 02:02, 184 bpm, 4/4
Reminiscences of the Ballet Read More »
This is an upbeat bluegrass instrumental.
Banjo, fiddle, guitar, mandolin, bass. // Length 1:35, 130 bpm, 4/4.