This piece can be associated with the imagery from Alexander Pushkin’s intro to his fairy poem Ruslan and Ludmila, where the magical Cat the Story Teller walks on the golden chain on an oak tree. The main theme (the pan flute’s ostinato) was once improvised by Alla’s younger son Kirill when he was 5 or 6 years old. Years later Alla turned it into a piece. – Pan flute, strings, muted trumpet, harp, kalimbell, percussion, drums, electronic sweep // Length 3:44, 69 bpm, 4/4
Blue tag =for a demonstration only; not for sale. One more symphonic piece; this is the 2nd movement from the Suite for Oboe and Orchestra. The mysterious feel and relaxed flow of this music, the rhythmic elements of the bolero, the sound of castanets, and mid-eastern intonations remind of hot summer nights somewhere near Spain. – Symphony orchestra, oboe // Length 2:55, 82 bpm, 4/4
“…Sufi and wise man, remembered for his funny stories and anecdotes. He appears in thousands of stories, sometimes witty, sometimes wise, but often, too, a fool or the butt of a joke. (…) Nasreddin often appears as a whimsical character of a large Turkish, Persian, Albanian, Armenian, Azerbaijani, Bengali, Bosnian, Bulgarian, Chinese, Greek, Gujarati, Hindi, Judeo-Spanish, Kurdish, Romanian, Serbian, Russian, and Urdu folk tradition of vignettes, not entirely different from zen koans”. Nasreddin – Wikipedia: https://en.wikipedia.org/wiki/Nasreddin
This is originally a piece from A.Lowery’s printed collection “The Elements of Ballet” for the ballet schools’ accompanists. There are 2 variants of the piece: 1) the humorous electronic version (Singing Frogs), 2) and this one – for two pianos. The piano version has a faster tempo, but somehow in an unhurried, measured pace, and it has a different flavor to it. It is also playful and happy, but not as comical and grotesque, as its electronic counterpart.
This is a piece composed in imitation of the style of old music from the British Islands. It consists of 2 parts: 1) a moderately-moving 1st, reminding of an old ballade 2) and a faster, more “dancy” second part at 2:10. (The tempo signatures may seen confusing, but while listening you will discover that the description of the feel is correct). The parts can exist as separate cues. Harp, oboe, English horn, flute piccolo, tambourine
Length 3:08, 1 part -63 bpm, 6/8; 2 part – 114 bpm, 2/4
This is originally a piece from A.Lowery’s printed collection “The Elements of Ballet” for the ballet schools’ accompanists. This version is for two pianos; the tempo is medium-fast. It starts with an energetic verse-like part in a minor key, followed by a very bright and uplifting chorus-like part in a major key. – Piano duo // Length 1:33, 125 bpm, 4/4
This is originally a piece from A.Lowery’s printed collection “The Elements of Ballet” for the ballet schools’ accompanists. This version is for two pianos; it has the sense of romance and elegance to it, with its unhurried flow and the beautiful sound of two grand pianos. –
Piano duo // Length 1:15, 160 bpm, 3/4 (or 53 bpm, if to consider it as 3/8)
This short piano piece has a mix of an animate flow with a nostalgic sentiment. The uneven signature adds a fresh, nontrivial feel. The length can be easily extended, as there can be a loop added at the middle. Length 1:09, 172 bpm, 5/4
Atmospheric feel with a gentle beat on the background and cosmic imagery have a calming effect on a listener. Synthesizers // Length 1:43, 90 bpm, no time signature
This piano piece was inspired by the works of Ludovico Einaudi. There are 2 versions – piano solo and piano with strings. Length 2:30, 98 bpm – poco rubato, 3/4