synthesizers

Magical Cavern

  This is an ambient piece, picturing something mesmerizing, unusual… There is a feel of a miracle there. You can picture slow steps, hear drops of water, echoing strange sounds in a cavern.  –  Synthesizers, processed piano  //  Length 3:02,   No signature,   Slow motion

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Sheherazade

This is a dreamy electronic piece, where fantasy meets Mediterranean flavor. Think of a mirage in a desert, a fairy-tale told by princess Sheherazade. Lulling, measured rhythm of the percussion instruments and the swaying character of the accompaniment give the feeling of a mild, soothing narrative.  –  Synthesizers   //   Length 4 min,  90 bpm,  4/4

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Running Around

This is a very happy and playful electronic art piece; its first rough name was “Everybody Is in a Hurry to Somewhere”. You can hear a fast-ticking clock at the beginning, and then everything just starts running… The piece can work as an intro to a comedy, or a musical illustration to a sport game, or just to be a companion to any fast movement on the screen. – Synthesizers, percussion, drums, choir (background)   //  Length 1:42 160 bpm, 4/4

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Bumblebee… or a Mosquito?

This a parody on a very famous classical piece ‘Flight of the Bumblebee” by N.Rimsky-Korsakov. Paradoxically, it was also inspired by the imagery and feel of a brilliant Russian animation (“claymation”) “Yesteryear’s Snow Was Falling”, which has became classic in Russia since its creation in 1983.

Knowing about the Bumblebee origins, you can easily guess what’s going on in the piece. (If you are familiar with the plot of the original tale,  you’ll find the end a bit different, though. ) If you listen to it in headphones, the effect will be at its best.   –  Synthesizers, accordion, honky-tonk, insect killer racket, airplane, crowd…   //   Length 1:29, 140 bpm, 4/4

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Sparkles of Sunlight on Snow Crust

Neo impressionism? – Maybe. This is a cue with a feel of rather rapid moving through a winter landscape – maybe, it’s about skying from a hill in a snowy forest, or just driving through a backroad. You can feel the snowdrift, the texture of the sparkly crust. The absence of the metric signature adds a sense of openness. 

Synthesizers  //  Length 1:58,  122 bpm,  No signature

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